.pullquote{ width: 100%; padding: 20px; text-align: center; } .pullquote a:link{ border-bottom: none; } .pullquote a:hover{ border-bottom: 1px solid #000000; } .pullquote a:visited{ border-bottom: none; } .pullquote h4{ font-family: ariel, helvetica, sans-serif; } .pqfloatleft{ float: left; margin: 0 15px 10px 0; border-right: 4px solid #d91920; text-align: right; } .pqfloatright{ float: right; margin: 0 0 10px 15px; border-left: 4px solid #d91920; } @media only screen and (max-width: 600px) { .pullquote{ margin: 20px auto 20px auto; width: 250px; display: block; } .pqfloatleft{ float: none; border-right: none; border-top: 2px solid #d91920; border-bottom: 2px solid #d91920; text-align: center; } .pqfloatright{ float: none; border-left: none; border-top: 2px solid #d91920; border-bottom: 2px solid #d91920; text-align: center; } } .cap { font-size: .85em; font-family: ariel, helvetica, sans-serif; text-align: center; margin-top: 0px; margin-bottom: 35px; color: #595959; } .line{ background-color: #d91218; height: 5px; margin-top: 5px; } .side ul{ padding-left: 20px; font-size: .85em; font-style: italic; margin: 10px 15px 10px 15px; } .side h3{ background-color: #135783; padding: 15px; color: #eeeeee; text-align: center; } .side h4{ color: #d91218; text-align: center; margin-top: 20px; } .side { color: #595959; width: 300px; display: inline-block; font-family: ariel, helvetica, sans-serif; } .side p { font-size: .85em; caption-side: bottom; padding: 10px 5px 0px 5px; } .floatleft{ float: left; margin: 0 15px 0px 0; } .floatright{ float: right; margin: 0 0 0px 15px; } @media only screen and (max-width: 600px) { .side{ margin: 20px auto 20px auto; width: 300px; display: block; } .floatleft{ float: none; } .floatright{ float: none; } } .sidebyside p { font-family: ariel, helvetica, sans-serif; font-size: .85em; caption-side: bottom; padding: 10px 5px 0px 5px; color: #808080; } .sidebyside{ width: 50%; float: left; display: block; display: inline-block; margin-bottom: 20px; padding-right: 5px; } .clearfloat{ clear: both; } @media only screen and (max-width: 600px) { .sidebyside{ width: 100%; float: none; display: block; } } .bigside{ background-color: #eaf1f7; padding: 20px; margin: 20px auto 20px auto; border: 1px solid silver; border-radius: 10px; }

The annual Year in Construction Photo Contest marks new beginnings here at ENR—it’s traditionally the first print edition as we turn the calendar page. But it also gives editors and readers a chance to look back at the incredible feats the industry has accomplished in the past 12 months.

This year, readers came out in force during our call for images that artistically capture the work performed at jobsites throughout the world, with 1,056 entries to the contest.

Judges Ephraim Lasar, architect with ikon.5 architects, ENR assistant editor Corinne Grinapol and Frannie Rutherford, consultant for ENR and an avid photographer, assembled in ENR’s Empire State Building office in New York City to review the entries. They were joined virtually by Wendy Zaremba-Just, senior art director with BNP Media, and photographer Jessica Savidge. Senior Art Director Scott Hilling guided the proceedings.

Related Links ENR's Year in Photos Slideshow

Grinapol, Lasar and Rutherford (L-R) judged in the ENR officesPhoto by Scott Hilling/ENR

“One of the things I love most about this competition is that it’s accessible to seasoned pros and amateurs alike,” says Savidge. “Witnessing the spark of creativity and curiosity from someone new to photography is always a thrill.”

First, judges went through a speed dating-like round where each photo needed to receive at least one thumbs up from any of the judges to proceed to the second round. In the next round, votes were tallied from all the judges.

“There’s something heroic about construction work,” says Rutherford. “Seeing ordinary processes matched with extraordinary images was really satisfying fun.”

Later, safety judge Steve Acosta, senior safety manager with Blach Construction, reviewed the short-listed batch of photos. He zoomed in and carefully evaluated each image to ensure that both workers and jobsite exhibited safe working practices and proper PPE. Only then did the 40 final selections become the winners that appear in this issue.

Jessica Savidge joined virtually.Photo courtesy of Jessica Savidge

Wendy Zaremba joined virtually.Photo courtesy of Wendy Zaremba-Just

“What I found fascinating,” Grinapol says, “was seeing the diversity in what people responded to: the photographers, in the choices they made about subjects, angles, color, approaches; and the judges, in the photos that specific jurists found individually appealing, and those that captivated everyone.”

Readers picked the cover star from among six finalists that were posted in a poll on ENR.com. The photo by Mike Grantz took top honors with more than half the vote.

“There was such a vast array of images that were submitted, it was extremely difficult to choose these winners,” says Zaremba-Just. “However, each judge brought their own light and insight [about what makes] these particular images stand out even more than just the beauty from a quick glance.”

Acosta evaluated safety.Photo courtesy of Steve Acosta

While each of this year’s 40 winning photos were evaluated individually on their photographic merits by a panel of six judges, ENR’s senior art director Scott Hilling spotted a common theme that unites the winners. “As I reviewed all of them, something was standing out across many of the images, but I just couldn’t put my finger on directly what it was” says Hilling. “As I continued my review, it finally hit me. More so than in past years, these images show a similar beauty in their geometry, with symmetry, harmony, bold lines or shapes.” Each subject has been captured with an eye towards that visual appeal, such as “the shape of a bridge or pipe at a certain angle, the energy or force in a worker’s action, the angle of a shot or the direction of shadows, each frozen in an image that is visually stunning,” he adds. The judges assessed more than 1,000 entries to make this year’s selections.